A live Theatre show hidden behind a live music vent. Monthly. Every show in a minimum of three countries simultaneously. First show May 2026.
Most shows serve one scene. This one serves no scene — it holds all of them at once. The room is mixed by design. The curation is invisible. People don't know they've been placed in a room with twelve different worlds. It simply is that way.
No more scenes. No more bubbles. No more robots.
The audience does not pay. Any good party is free. Funded by sponsors — strange pairings welcome. A gambling company next to a weed brand next to the Mormon church makes the show more interesting, not less.
The Internal Performance is theatre-esque — think jazz band, audience-driven — most people won't know it's designed. They'll just feel it.
All ages. A kid should be able to be there. An older person should feel at home. The stream is the room — anyone from anywhere can watch, participate, be seen, be part of it. No geography as a barrier.
Aura-sharing without the ability to opt out. Webcams at every location make every attendee visible to every other. No single room is the real room. They all are.
Every show happens in a minimum of three countries simultaneously. A website hub unites all locations — one stream, one room, everywhere. The show is decentralised by design.
ELVIS (codename). Not the headliner — the backbone. A theatre-esque musical performance that runs beneath everything. Connective tissue and narrative presence throughout the show.
A gospel-ensemble-style preacher show with rotating members. Dark spiritual aesthetics. Fabrication collaboration with Molasses Industries. Prosthetics by Coco Schubert. Target: mid-2026 first show.
We are building a room where everyone belongs and no one is the same. The show is free. The door is open. The world is watching. We do this every month until it becomes the most important room in music.